Latest Post Update: December, 2014.
Please check back in a few weeks for the “Looking Into You - A Tribute to Jackson Browne” addition.
This post includes Lee Sklar’s contributions to the Lyle Lovett catalog divided into five separate sections: film clips, studio albums, Various Artists audio compilations, singles and Scrapbook.
For Lee's work with Lyle Lovett's fellow Texan singer-songwriter and frequent inspiration Willis Alan Ramsey, you can check out the relative post by clicking → here.
You may also watch some of Lyle Lovett's original videos on his own YouTube channel by clicking → here.
Film Clips
The above film clip is from the second installment in the “KHOU Stands for Houston” campaign. It features Lyle Lovett recording the theme song and it was filmed during the final sessions for Lyle’s 2012 album “Release Me” (see entry below) at Conway Recording Studios in West Hollywood, CA. Musicians on the session are Lyle Lovett, Leland Sklar, Russ Kunkel, Jim Cox, Dean Parks, Luke Bulla, Keith Sewell, Sweet Pea Atkinson, Sir Harry Bowens. Executive Producer: Dale Lockett. Director and DP: W. Ross Wells. DP: Dan Mohr. Arrangements: Lyle Lovett and Jim Cox. Producer: Nathaniel Kunkel.
Studio Albums
Lyle Lovett - Lyle Lovett And His Large Band
Curb/MCA MCA-42263 (1989) - US LP
side one
1 - The Blues Walk*
2 - Here I Am*
3 - Cryin’ Shame*
4 - Good Intentions*
5 - I Know You Know*
6 - What Do You Do / The Glory Of Love*
side two
7 - I Married Her Just Because She Looks Like You*
8 - Stand By Your Man
9 - Which Way Does That Old Pony Run*
10 - Nobody Knows Me*
11 - If You Were To Wake Up*
12 - Once Is Enough
Lyle Lovett - Vocals, Acoustic Guitar
Leland Sklar - Bass (1, 2, 3, 4, 5, 6, 7, 9, 10, 11)*
Richard Bennett - Danelectro Six String Bass
Paul Leim - Drums (1, 2, 3, 4, 5, 6, 7, 8, 9, 11)
Ray Herndon - Electric Guitar
Billy Williams - Acoustic Guitar, Acoustic Lead Guitar
Champ Hood (as DesChamps Hood) - Acoustic Lead Guitar, Background Vocal (as part of Uncle Walt’s Band)
Paul Franklin - Steel
Matt Rollings - Piano, Hammond B-3
Mark O’Connor - Fiddle, Mandola
Steve Marsh - Alto Saxophone, Tenor Saxophone
Andy Laster - Baritone Saxophone
John Hagen - Cello
Francine Reed - Duet Vocal, Background Vocals
Harry Stinson - Background Vocals
Rodney Crowell - Background Vocal
Mac McAnally - Background Vocal
Uncle Walt’s Band (Walter Hyatt, David Ball, Champ Hood) - Background Vocals
Produced by Tony Brown, Billy Williams, and Lyle Lovett
Billy Williams - Saxophones Arrangements
Steve Marsh - Additional Saxophones Arrangement
Chuck Ainlay - Recording Engineer, Mixing Engineer
Marty Williams - Assistant Recording Engineer, Assistant Mixing Engineer
Milan Bogdan - Digital Editing
Recording Studio:
Soundstage Studio (Backstage)
Glenn Meadows - Mastering Engineer
Mastering Studio:
Masterfonics
Jessie Noble - Project Coordinator
Simon Levy - Art Direction, Design
Peter Nash / Nashville - Photography
Virginia Team Design - Design
“Digitally recorded at // Soundstage Studio (Backstage) using the Mitsubishi x-850 32 track digital.”.
“Mastered by // Glenn Meadows at Masterfonics using the JVC Digital Audio Mastering System.”.
Track 11:
“ “If You Were To Wake Up” melody adapted from “Farther Along”-traditional”.
Songwriters:
Lyle Lovett
Clifford Brown
Billy Hill
Billy Sherrill
Traditional
Tammy Wynette
“Lyle Lovett And His Large Band” - US LP - sticker
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source/pics: my records
Lyle Lovett - Joshua Judges Ruth
Curb/MCA MCAD-10475 (1992) - US CD
1 - I’ve Been To Memphis*
2 - Church*
3 - She’s Already Made Up Her Mind*
4 - North Dakota*
5 - You’ve Been So Good Up To Now*
6 - All My Love Is Gone*
7 - Since The Last Time*
8 - Baltimore
9 - Family Reserve
10 - She’s Leaving Me Because She Really Wants To*
11 - Flyswatter/Ice Water Blues (Monty Trenckmann’s Blues)*
12 - She Makes Me Feel Good*
Notes: 1) Track 11 has both Lee on electric bass and Edgar Meyer on Arco Acoustic Bass. 2) Tracks 3 and 5 are included in the Lyle Lovett soundtrack for the Robert Altman film “Dr. T & The Women” released in 2000 on Curb/MCA 088 112 381-2. Lee is not a player on the rest of the soundtrack album. You can check out an image of the soundtrack album’s front inlay at the bottom of this entry.
Lyle Lovett - Vocals, Acoustic Finger Style Guitar, Acoustic Guitar, Acoustic Rhythm Guitar
Leland Sklar - Bass (1, 2, 3, 4, 5, 6, 7, 10, 11, 12)*
Edgar Meyer - Arco Acoustic Bass, Pizzicato Acoustic Bass
Russ Kunkel - Drums (1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12)
Dean Parks - Acoustic Rhythm Guitar, Electric Guitar, Electric Lead Guitar, Acoustic Guitar,
Acoustic Slide Guitar
Ray Herndon - Electric Lead Guitar, Electric Rhythm Guitar, Electric Guitar
Billy Williams - Electric “Trombone” Guitar
Johnny Lee Schell - Electric Lead Guitar
Leo Kottke - Acoustic Guitar (Harmonics), Acoustic Lead Guitar
J.D. Maness - Pedal Steel (as Jay Dee Maness)
Matt Rollings - Piano, Hammond B-3 Organ
Plas Johnson - Tenor Saxophone
Daniel Higgins - Alto Saxophone
Gregory Smith - Baritone Saxophone
John Hagen - Cello
Francine Reed - Featured Alto Harmony Vocal, Alto Harmony Vocal, Harmony Vocal, Hand
Claps
Arnold McCuller - Featured Tenor Harmony Vocal, Tenor Harmony Vocal, Harmony Vocals,
Solo Vocal, Hand Claps
Kathy Hazzard - Soprano Harmony Vocal, Harmony Vocal, Hand Claps
Sir Harry Bowens - Tenor Harmony Vocal, Harmony Vocal, Hand Claps
Sweet Pea Atkinson - Baritone Harmony Vocal, Harmony Vocal, Hand Claps
Kevin Dorsey - Bass Harmony Vocals, Harmony Vocal, Hand Claps
Rickie Lee Jones - Harmony Vocal
Emmylou Harris - Harmony Vocal
Willis Alan Ramsey - Harmony Vocal
Produced by George Massenburg, Billy Williams and Lyle Lovett
Billy Williams - Saxophones Arrangement (7)
George Massenburg - Recording Engineer, Mixing Engineer
Nathaniel Kunkel - Recording Engineer
Steve Holroyd - Second Engineer (Ocean Way Recorders)
Noel Hazel - Second Engineer (Ocean Way Recorders)
Gil Morales - Second Engineer (Conway Studios)
Marnie Riley - Second Engineer (Conway Studios)
Recording Studio (September 1991 to January 1992):
Ocean Way Recorders, Hollywood, California
Mixing Studio (September 1991 to January 1992):
Conway Studios, Hollywood, California
Doug Sax - Mastering Engineer
Alan Yoshida - Mastering Engineer
Ron Lewter - Mastering Engineer
Mastering Studio:
Mastering Lab, Hollywood, California
Paul Kremen - Project A&R
Ivy Skoff - Production Coordinator
Management - Ken Levitan for Vector Management and Will Botwin for Side One Management
Tim Stedman - Art Direction, Design
Jonas Livingston - Art Direction
Peter Nash - Photography
Michael Wilson - Interior Booklet Photography
“Use of traditional lyrics in “Since The Last Time” suggested by Eric Taylor”.
“Technical Assistance - GML, Inc., Ultra-Analog, Fred Walecki and Westwood Musical Instruments, Jim Demeter, Jim Kaufman and Bill Collings // Special Assistance - James Gilmer, Wayne Miller, Bo Goldsen, Mark Hakemack, Mary Ann Pittman, Julie Clayton, Paula Batson, Liz Heller, Patricia Casado, Lynne Giler, John Rausch, Allison Inman, and Mom and Dad”.
“Ping Pong Results - Wayne Miller - Champion // Lyle Lovett - First Runner-Up // Billy Williams - Second Runner-Up // George Massenburg - Third Runner-Up // Nathaniel Kunkel - Scored too low to qualify”.
“Worst Joke - George Massenburg (WHEEE!)”.
Songwriters:
Lyle Lovett
Willis Alan Ramsey
Traditional
“Dr. T & The Women” - US CD (2000) - front inlay
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source/pics: my records
Lyle Lovett - The Road To Ensenada
Curb/MCA MCAD-11409 (1996) - US CD
1 - Don’t Touch My Hat*
2 - Her First Mistake*
3 - Fiona*
4 - That’s Right (You’re Not From Texas)*
5 - Who Loves You Better*
6 - Private Conversation*
7 - Promises
8 - It Ought To Be Easier*
9 - I Can’t Love You Anymore*
10 - Long Tall Texan*
11 - Christmas Morning*
12 - The Road To Ensenada*
hidden track
13 - The Girl In The Corner*
Notes: 1) Title of track 13 is not listed on back cover track breakdown, yet lyrics and credits are included within CD album’s booklet.
Lyle Lovett - Vocals, Acoustic Rhythm Guitar, Acoustic Guitar, Acoustic Finger-Style Guitar
Leland Sklar - Bass (1, 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13)*
Russ Kunkel - Drums (1, 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13), Shaker (12)
Dean Parks - Guitar, Acoustic Guitar, Electric Guitar
Don Potter - Acoustic Lead Guitar, Acoustic Spanish-Style Guitar
Paul Franklin - Steel Guitar, Pedal Steel
Matt Rollings - Piano
Stuart Duncan - Fiddle
Greg Adams - Trumpet
Chuck Findley - Trumpet, Trombone
Gary Herbig (as Garey Herbig) - Alto Saxophone, Tenor Saxophone, Baritone Saxophone
Luis Conte - Percussion (2, 12), Tambourine (3, 6, 8), Shaker (6)
Randy Newman - Duet Vocal
Arnold McCuller - Tenor Vocal, Harmony Vocal, Background Vocal
Sweet Pea Atkinson - Baritone Vocal
Sir Harry Bowens - Baritone Vocal
Willie Greene, Jr. - Bass Vocal
Jackson Browne - Harmony Vocal
Shawn Colvin - Harmony Vocal
Herb Pedersen - Harmony Vocals
Chris Hillman - Harmony Vocals
Valerie Carter - Harmony Vocal, Background Vocal
Kate Markowitz - Harmony Vocal, Background Vocal
Produced by Lyle Lovett and Billy Williams
Billy Williams - Horn Arrangement (4)
Greg Adams - Horn Orchestration (4)
Nathaniel Kunkel - Engineer
Bill Kinsley - Second Engineer
Recording Studio:
Conway Studios, Los Angeles, California
Mixing Studio:
Conway Studios, Los Angeles, California
Doug Sax - Mastering Engineer
Gavin Lurssen - Assistant Mastering Engineer
Ron Lewter - Assistant Mastering Engineer
Mastering Studio:
The Mastering Lab, Los Angeles, California
Patrick Dorn - Production Coordination for the Marsha Burns Company
Lexy Brewer - Production Coordination for the Marsha Burns Company
Vance Knowles - Production Assistance
Jonas Livingston - Art Direction
Tim Stedman - Art Direction, Design
Todd Gallopo - Design
Michael Wilson - Photography
“Thanks to all the singers and musicians who helped with the making of this record // Thanks to Doug Morris, Al Teller, Zach Horowitz, Jay Boberg, Richard Palmese, Abbey Konowitch, Randy Miller, Ron Oberman, David Fleischman, Jayne Simon, Paul Orescan, Jonathan Coffino, Lisa Millman, Paula Batson, Kymm Britton, Stacey Studebaker, Toi Moritomo, Candace Tobaben, Amy Phillips, and everyone at MCA Records // Thanks to Mike Curb, Dick Whitehouse, Sarita Martin, and everyone at Curb Records // Thanks to Joel Katz // Thanks to David Simone and everyone at Polygram Music Publishing, and Bo Goldsen, Michael H. Goldsen, and everyone at Criterion Music Corporation // Thanks to Fred Bohlander and everyone at Monterey Peninsula Artists // Thanks to James Gilmer, John Hagen, Ray Herndon, J. David Sloan, Viktor Krauss, Harvey Thompson, Charles Rose, Steve Marsh, Vinny Ciesielski, Francine Reed, Tim Ray, Buck Reid, Andrea Zonn, and Dan Tomlinson // Thanks to Ken Levitan, Will Botwin, Gary Haber, Patty Wicker, Gary Speakman, Ron Stern, John Richards, Rick Martini, Mark Hammontree, Phil Harris, Andrew Burns, John Malamazian, Stuart Liniger, Mike Klein, Pam Hester, Linda Goettee, and Lisa Christopher // Thanks to Giorgio Armani, Commes des Garcons, Collings Guitars, D’Addario Strings, Gibson Guitars, Westwood Music, Strait Music, and Lucy’s El Adobe // Thanks to Tom Quinn, David Bouley, Elaine Goldsmith-Thomas, Toni Howard and David Yarnell, Chris Andrews, Donald Miller, Kathy Kerr, Wayne Miller, Liz Heller, and Valerie Remy // Thanks to Chris Haines, Mike’s Sky Rancho, the San Nicolas resort Hotel, and Papas & Beer // Thanks to Julia, Lisa, Tony, Kelly, and Emma // “That’s Right (You’re Not From Texas)” is dedicated to the memory of Walter Hyatt // Special thanks to Mom // For Dad”.
Songwriters:
Lyle Lovett
Willis Alan Ramsey
Alison Rogers
Henry Strzelecki
●
source/pic: my records
Lyle Lovett - Step Inside This House
Curb/MCA MCAD2-11831 (1998) - US 2-CD set
disc one
1 - Bears
2 - Lungs
3 - Step Inside This House (Step Inside My House)
4 - Memphis Midnight/Memphis Morning
5 - I’ve Had Enough
6 - Teach Me About Love*
7 - Sleepwalking
8 - Ballad Of The Snow Leopard And The Tanqueray Cowboy*
9 - More Pretty Girls Than One
10 - West Texas Highway
11 - Rollin’ By
disc two
12 - Texas Trilogy: Daybreak
13 - Texas Trilogy: Train Ride
14 - Texas Trilogy: Bosque County Romance
15 - Flyin’ Shoes
16 - Babes In The Woods
17 - Highway Kind
18 - Lonely In Love
19 - If I Needed You*
20 - I’ll Come Knockin’
21 - Texas River Song
Notes: 1) Above image and following credits were taken from the EU release on Curb/Int 4 84585 2 (1998). 2) CD album comes with a lyrics/credits/photo booklet. Please refer to that for the numerous picture captions.
Lyle Lovett - Vocals, Acoustic Guitar
Leland Sklar - Bass (6, 8, 19)*
Viktor Krauss - Bass
Russ Kunkel - Drums (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21)
Dean Parks - Electric Guitar, Acoustic Guitar
Don Potter - Second Acoustic Guitar
Paul Franklin - Pedal Steel
Matt Rollings - Piano
Jerry Douglas - Dobro, Weissenborn
Sam Bush - Mandolin
Stuart Duncan - Fiddle
John Hagen - Cello
Luis Conte - Percussion (8)
Alison Krauss - Harmony Vocals
David Ball - Harmony Vocals
Champ Hood - Harmony Vocals (as DesChamps Hood)
Produced by Billy Williams and Lyle Lovett
Lyle Lovett - Arrangements of Traditionals (9, 21)
Nathaniel Kunkel - Engineer
John Nelson (as John “Lubbick” Lubbock Nelson) - Second Engineer
Recording Studio:
Conway Studios, Los Angeles, California
Mixing Studio:
Conway Studios, Los Angeles, California
Doug Sax - Mastering Engineer
Robert Hadley - Mastering Engineer (with)
Ron Lewter - Mastering Engineer (with)
Mastering Studio:
The Mastering Lab, Los Angeles, California
Kathi Whitley - Production Coordinator
James Gilmer - Production Assistance
Vance Knowles - Production Assistance
Douglas Manger - Production Assistance
Jonas Livingston - Art Direction
Tim Stedman - Design
Keith Tamashiro - Design (with)
Michael Wilson - Photography
“Guy Clark says “Step Inside This House” is the first song he ever wrote; it had never been recorded. I learned it from Eric Taylor. // Printed lyrics are the songwriter’s original lyrics. Photographs were taken in May and June, 1998. - Lyle”.
“Thanks to the songwriters and musicians and to everyone who worked on this recording // Thanks to Ken Levitan and Vector Management // Thanks to Gary Speakman // Thanks to Gary Gilbert // Thanks to Fred Bohlander and Monterey Peninsula Artists // Thanks to Gary Haber, Patty Wicker, and Trish Field // Thanks to Paula Batson and Caroline Prutzman // Thanks to George Massenberg // Thanks to Steven Jarvis // Thanks to Collings Guitars, D’Addario Strings, Westwood Music, Strait Music, Demeter Tube Direct, and Sunrise Pickups // Thanks to Giorgio Armani, Commes des Garcons, and Prada // Thanks to Bruce Lyon // Thanks to Dan Tomlinson and Pat Bergeson // Thanks to John Richards, Brian Berg, Steve Jones, Bill Caulfield, Steve Voudouris, John Harper, Maple Byrne, Mark Hammontree, Stuart Liniger, and Rick Martini // Thanks to Don Was // Thanks to Susanna Clark, John Van Zandt, Heidy Hyatt, Alison Rogers, Kathleen Keen, Tim Leatherwood and Anderson Fair Retail Restaurant, Lyse Moore, Ray Benson, Rosanne Cash, Lisa Loeb, and Shawn and Mario // Thanks to Robert and Kathryn Altman // Thanks to Don Roos and Danny Bucatinsky, and Michael Besman // Thanks to Chris Andrews, Daniel Thomas and Elaine Goldsmith-Thomas, and Toni Howard and David Yarnell // Thanks to Beverly St. Claire, Federico Minoli, Dan Van Epps, Bruce Fairey, Ray Blank, Gary Christopher, Dirk Vandenberg, Freddie Spencer, Selvaraj Narayana, and Scott Harden // Thanks to Bill and Brooks Kasson, Will Kasson, Richard Sanders, Nancy and Jay Baker, Frank Reaves, Earl Campbell, Rick Nelson, Eraldo Ferracci, Larry and Robert Ferracci, Scot Youngren, Tom Roach, Tom Buzas, Barry Beal, Spencer Beal, and Chris Haines // Thanks to Wayne Miller, Dan and Coy Cogdell, Tom Quinn, Bucky Burruss, Jim McKinney, Brian and Martha Stafford, David and Nan Kleb, Monte Trenckmann, Mike Bellot, Glenn Pruitt, Doug Crosson, Tim Carrithers, Laurence Gonzales, Mike Salisbury, Dan Walsh, Jerry Bernardo, Kiki Cutter, Leah Little, Walter Fry, Krzysztof Czuj, Ule Kallenbach, and Kevin Hines and Laraine Diaz // Thanks to Lee and Carrlyn Miller, Fred Wyse, and Troy Lee // Thanks to Pattie O’Neal, Kenny Kerzner, and John Aiken // Thanks to Don Counts and Leland Winston // Thanks to Kelly and Emma // Thanks to Malcolm and Joyce Smith, Ashley, and Alexander // Thanks to Dr. Hunter S. Thompson // Thanks to Lucy’s El Adobe // Thanks to Mom and Dad // Thanks to April”.
“Dedicated to the memory of Walter Hyatt and Townes Van Zandt”.
Songwriters:
Vince Bell
Craig Calvert
Boomer Castleman
Guy Clark
Steven Fromholz
Walter Hyatt
Robert Earl Keen
Michael Martin Murphey
Willis Alan Ramsey
David Rodriguez
Eric Taylor
Traditional
Townes Van Zandt
●
source/pic: my records
Lyle Lovett And His Large Band - It’s Not Big It’s Large
Curb/Lost Highway B0009734-00 (2007) - US CD & DVD
audio CD
1 - Tickle Toe
2 - I Will Rise Up/Ain’t No More Cane*
3 - All Downhill
4 - Don’t Cry A Tear
5 - South Texas Girl
6 - This Traveling Around
7 - Up In Indiana
8 - The Alley Song
9 - No Big Deal
10 - Make It Happy
11 - Ain’t No More Cane
12 - Up In Indiana
- Acoustic
DVD video
V1 - Ain’t No More Cane
V2 - All Downhill
V3 - Don’t Cry A Tear
V4 - Up In Indiana
V5 - The Alley Song
V6 - South Texas Girl
Notes: 1) CD album comes with a region ‘0’ video DVD directed by Vasco Lucas Nunes and Lyle Lovett. 2) Content of DVD is a combination of behind-the-scenes rehearsals, recording sessions, concert and interview footage shot both during recording of album and live performances, and archive material from Mr. Lovett’s own home movies. 3) Recording studio parts were shot at Conway Studios, Los Angeles, California on October 17/18/19/20, 2006. Concert parts were shot at Bass Hall, Fort Worth, Texas on October 19, 2006 and at Fox Theater, Redwood City, California (no date indicated). 4) Lee is credited as pre-production bass player on track 2. Viktor Krauss is credited as bass player on same track. 5) Lee is not featured on the DVD content. 6) Please see actual DVD video for additional video credits and thank-yous.
Audio CD Credits
Lyle Lovett - Vocals, Acoustic Guitar, Acoustic Rhythm Guitar
Leland Sklar - Pre-Production Bass (2)*
Viktor Krauss - Bass
Russ Kunkel - Drums (1, 2, 3, 4, 5, 6, 7, 8, 9, 10)
Ray Herndon - Electric Guitar
Dean Parks - Electric Guitar, Guitar Solo, Electric Baritone Guitar
Jon Randall - Acoustic Lead Guitar, Vocal, Harmony Vocals
Mitch Watkins - Electric Guitar, Guitar Solo
Paul Franklin - Steel Guitar
Matt Rollings - Piano
Jim Cox - Pre-Production Piano
Jerry Douglas - Dobro
Sam Bush - Mandolin
Jeff White - Pre-Production Mandolin, Harmony Vocals, Outro Group Vocal
Bela Fleck - Banjo
Stuart Duncan - Fiddle, Fiddle Solo
Gene Elders - Fiddle
John Hagen - Cello
James Gilmer - Percussion (1, 2, 6), Outro Group Vocal
Guy Clark - Vocal, Intro Acoustic Guitar, Outro Acoustic Guitar
Steve Jones - Outro Group Vocal
Billy Williams - Outro Group Vocal
Sweet Pea Atkinson - Harmony Vocals, Step-Out Vocal
Harry Bowens - Harmony Vocals, Step-Out Vocal
Jason Eskridge - Harmony Vocals, Step-Out Vocal
Arnold McCuller - Harmony Vocals, Step-Out Vocal
Francine Reed - Harmony Vocals, Step-Out Vocal
Lamont Van Hook - Harmony Vocals Step-Out Vocal
Josef Powell - Harmony Vocals, Step-Out Vocal
Horns:
Dan Higgins - Alto Saxophone, Tenor Saxophone
Gary Grant - Trumpet
Warren Luening - Trumpet, Trumpet Solo
Jerry Hey - Trumpet
William Reichenbach - Trombone, Bass Trumpet Solo
Andy Martin - Trombone
Additional Horns:
Steve Herrman - Trumpet
Charles Rose - Trombone
Harvey Thompson - Tenor Saxophone
Steve Marsh - Tenor Saxophone
Produced by: Billy Williams and Lyle Lovett
Lyle Lovett - Arrangements of Traditional Song (2, 11)
Steve Marsh - Horn Arrangement (1)
Charles Rose - Horn Arrangement (2)
Viktor Krauss - Additional Horns Arrangement (2)
Dan Higgins - Horn Orchestrations (1, 2)
Nathaniel Kunkel - Recording Engineer, Mixing Engineer
Seth Waldman - Assistant Engineer
Bernard Levin - Assistant Engineer
Steve Jones - Additional Assistant Engineer
Recording Studios:
Conway Recording Studios // Los Angeles, California
The Sound Kitchen // Franklin, Tennessee (additional recording)
Mixing Studios:
Studio Without Walls // Los Angeles, California
Ocean Way // Los Angeles, California (additional editing)
Doug Sax - Mastering Engineer
Sangwook Nam (as Sangwook “Sunny” Nam) - Mastering Engineer (with)
Mastering Studios:
The Mastering Lab // Ojai, California
DVD Credits
Lyle Lovett - Vocals, Acoustic Guitar
Viktor Krauss - Bass
Russ Kunkel - Drums
Ray Herndon - Electric Guitar
Dean Parks - Electric Guitar
Jon Randall - Acoustic Guitar, Harmony Vocals
Mitch Watkins - Electric Guitar
Paul Franklin - Steel Guitar
Matt Rollings - Piano
Sam Bush - Mandolin
Stuart Duncan - Fiddle
Gene Elders - Fiddle
Steve Herrman - Trumpet
John Hagen - Cello
James Gilmer - Percussion
Sweet Pea Atkinson - Vocals
Harry Bowens - Vocals
Jason Eskridge - Vocals
Arnold McCullers - Vocals
Francine Reed - Vocals
Produced by: Vasco Lucas Nunes, April Kimble, and Lyle Lovett
DVD Audio Credits
Billy Williams - Recording Producer
Nathaniel Kunkel - Recording Engineer
Seth Waldman - Recording Second Engineer
Steve Jones - Recording Assistance
April Kimble - Recording Assistance
DVD Video Credits
Vasco Lucas Nunes, AIP - Director, Cinematography
Lyle Lovett - Director
Jennifer Tiexiera - Editor (as Jen Tiexiera)
Avital Levy - Assistant Editor
Jeff Sobel - Production Audio Mixer
Production Company: Lusitan
Shared Credits
James Gilmer - Production Coordinator
Ivy Skoff - Additional Production Coordinator
April Kimble - Production Assistance
Kim Buie - A&R Coordination for Lost Highway Records
Brent Bowers - A&R Coordination for Lost Highway Records
Vasco Lucas Nunes - Film Footage, Video Footage // Lusitan Films, Los Angeles, California
Jennifer Tiexiera (as Jen Tiexiera) - Film Editing, Video Editing
John Richards Concert Productions, Murfreesboro, Tennessee - Live Sound and Lights // with Steve Jones, Bryan Gilbert, Ryan Coleman, Al Gramling, Jack Albeck, Rick Nielson
Management: Ken Levitan
Vector Management: Nashville, Tennessee // with Joal Hoffner, Brandy Hamilton-Necessary, Jon Romero, Emily Messer, Nicole Porter
Booking: Fred Bohlander // Monterey Peninsula Artists/Paradigm // Monterey, California // with Dan Weiner, Jessica Frey
Business Management: Gary Haber // Haber Corperation, Encino, California // with Patty Wicker, Ron Remis, Spencer Meehl
Tim Stedman - Art Direction, Design
Michael Wilson - Photography
“Thanks to Gary Gilbert // Thanks to Luke Lewis and the Universal Music Group // Thanks to Retta Harvey, Andy Nelson, Karen Naff, Fount Lynch and Jim Flammia and everyone at Lost Highway Records // Thanks to Mike Curb and Curb Records // Thanks to Bo Goldstein, Stacey Neisig, and everyone at Criterion Music. // Thanks to Mastering Lab: Doug and Phyllis Sax, Millie Bly, Sunny Nam, Teresa Bustillo, and Charles Benson // Thanks to Bill Collings, Steve McCreary and everyone at Collings Guitar // Thanks to Lucy and Patricia Casado and everyone at Lucy’s El Adobe // Thanks to Bill Flanagan // Thanks to Lisa Shaw, Vance Knowles, Paul Halperin, Kevin Dockey, and Buck Reid // Thanks to Wayne Miller, Joe and Julia Mashburn, Pat Johnson, Bill and Brooks Kasson, Kevin Hines and Laraine Diaz, Dr. and Mrs. Don Counts, Dan Cogdell, David Bouley, Ultan Guilfoyle, Lee and Carrlyn Miller, Tom and Juanita Balding, Jody Denberg, Lisa Gallant, Fred Walecki, Ramon Alonso, Capt. Mark Herman, Randy Paul, Dr. Kevin Coupe, Dr. Neel Ware, Mark Bliesener, Andy Langer, Chris Haines, David and Nan Kleb // Thanks to John and Iris Buchanan, Jimmy Eller, Tim and Colleen McQuay, Todd and Pam Crawford, Carol Rose and Chris Dawson, Robbie and Angie Boyce, Shawn and Michelle Flarida, Dustin and Quincy Allen, Nathan and Jean Piper // Thanks to Dr. Leslie Easterwood, Dr. Dickson Varner, Dr. Kurt Heite, Dr. Bill Collier, Dr. David Hartman, Dr. John McCarroll, Dr. Joe Carter, Kenny Hall, and Bill and Carole Smith // Thanks to Jorge, Alejandro, and Leo Mandujano, Danny and Randy Mittelstaedt, Yvette Halley, and Burke Cougot // Thanks to Aspen Travel // Thanks to Bill and Sue Brewer, and everyone with the American Quarter Horse Association // Thanks to Guy Clark, Joe Ely, and John Hiatt // Thanks to Martin Schoeller and Markian Lozowchuk // Thanks to Calvin and Sheila Klein // Thanks to Jerry, Nelda, Adam and James Kimble // “Ain’t No More Cane” dedicated to the Front Porch Boys: Robert Earl Keen, Bryan Duckworth, Ronnie West, Rollin Soles, and Sunny Fitzsimmons // Thanks to Mom // In memory of Dad // For April”.
lylelovett.com
Songwriters:
Lyle Lovett
Traditional
Lester Young
●
source/pic: my records
Lyle Lovett - Release Me
Curb/Lost Highway B0016386-02 (2012) - US CD
1 - Garfield’s Blackberry Blossom*
2 - Release Me
3 - White Boy Lost In The Blues
4 - Baby, It’s Cold Outside
5 - Isn’t That So
6 - Understand You
7 - Brown Eyed Handsome Man
8 - Keep It Clean
9 - One Way Gal
10 - Dress Of Laces
11 - The Girl With The Holiday Smile
12 - Night’s Lullaby*
13 - White Freightliner Blues
14 - Keep Us Steadfast
Lyle Lovett - Vocals, Acoustic Guitar, Acoustic Rhythm Guitar
Leland Sklar - Bass (1, 12)*
Viktor Krauss - Bass
Russ Kunkel - Drums (1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14)
Dean Parks - Electric Guitar, Electric Slide Guitar, Electric Lead Guitar
Keith Sewell - Acoustic Guitar, Acoustic Lead Guitar, Mandolin, Vocal, Harmony Vocal
Mitch Watkins - Electric Guitar, Electric Rhythm Guitar, Electric Guitar Solo
Ray Herndon - Electric Guitar, Electric Guitar Solo, Vocal, Harmony Vocal
Paul Franklin - Steel Guitar
Buck Reid - Steel Guitar
Jim Cox - Piano
Matt Rollings - Piano
Luke Bulla - Fiddle, Vocal, Harmony Vocals
Stuart Duncan - Fiddle
Sara Watkins - Fiddle, Harmony Vocals
Sam Bush - Mandolin
Sean Watkins - Mandolin, Harmony Vocal
Vincent Ciesielski - Trumpet
Charles Rose - Trombone
Steve Marsh - Alto Sax
Harvey Thompson - Tenor Sax
John Hagen - Cello
K.D. Lang - Vocal
Kat Edmonson - Vocal
Arnold McCuller - Harmony Vocals
Sweet Pea Atkinson - Harmony Vocal
Harry Bowens - Harmony Vocal
Willie Greene, Jr. - Harmony Vocal
Produced by Nathaniel Kunkel and Lyle Lovett
Jim Cox - Arrangement (1)
Luke Bulla - Arrangement (1)
Keith Sewell - Arrangement (1)
Lyle Lovett - Arrangements (1, 8, 9)
Charles Rose - Horn Arrangement (5)
Nathaniel Kunkel - Recording Engineer, Mixing Engineer
Philip McWhorter - Recording Assistant (Blue Rock Studio)
Eric Weaver - Recording Assistant (Conway Recording Studios)
Recording Studios:
Blue Rock Studio, Wimberley, Texas (May 2011)
Conway Recording Studios, Los Angeles, California (September and October 2011)
Mixing Studio:
Conway Recording Studios, Los Angeles, California (September and October 2011)
Doug Sax - Mastering Engineer
Robert Hadley - Mastering Engineer (with)
Mastering Studio:
The Mastering Lab, Ojal, California
Ivy Skoff - Project Coordinator
James Gilmer - Assistant Project Coordinator
Randall Paris Dark - Documentary Footage (Blue Rock Studio)
Lyn Moncrief - Documentary Footage (Conway Recording Studios)
Jen Tiexiera - Documentary Footage Editor
Tim Stedman - Art Direction, Design
Michael Wilson - Photography
“Thanks to all my special guests, all the musicians, singers, songwriters, and everyone who worked on this recording project. // Thanks to John Grimaudo for coming to the Blue Rock sessions and helping me with the guitar parts on “One Way Gal,” and “Dress Of Laces”. // Thanks to Tim and Colleen McQuay for letting us take pictures at their place, McQuay Stables, Tioga, Texas. Thanks to Del Hendricks for loaning us his rope. // Thanks to Tim Leatherwood for letting us take pictures at his place, Anderson Fair Retail Restaurant, Houston, Texas. // thanks to John Richards, Ricky Martini, and all the members of the Large Band and crew. // Thanks to Bill Collings, Steve McCreary, and everyone at Collings Guitars. // Thanks to DiAddario Strings. // Thanks to Jim Kaufman and everyone at Sunrise Pickups. // Thanks to Jim Demeter and everyone at Demeter Tube Direct. // Thanks to Yamaha for providing our piano on the road. // Lee and Carlyn Miller and everyone at Texas Traditions custom, handmade boots. // Thanks to Susan Alcala and everyone at Ariat Denim. // Thanks to Ken Levitan and Gloria Dumas, and everyone at Vector Management. // Thanks to Gary Haber, Patty Wicker, Ron Remis, Michelle Flowers, and everyone at Haber Corporation. // Thanks to Rob Light, Rick Roskin, Erin Culley, Christian Carino, and everyone at CAA. // Thanks to Bo Goldsen, Stacey Neisig, and everyone at Criterion Music. // Thanks to Gary Gilbert. // Thanks to Ken Weinstein and everyone at Big Hassle Media. // Thanks to Randle Feagin and everyone at Aspen Travel. // Thanks to Luke Lewis, Andy Nelson and everyone at Lost Highway Records and Universal Music Group. // Thanks to Mike Curb and everyone at Curb Records. // Thanks to Ian and Jo Ashbridge and everyone with Wrasse Records for their support in the UK. // Thanks to Don and Kathryn Counts, Scott and Holly Josey, Dan and Robin Cogdell, and Ultan Guilfoyle and Dianne Hurley. // Thanks to Lisa Shaw. // Thanks to Tony Brown. // Thanks to Billy Williams. // Thanks to Jerry and Nelda Kimble. // Thanks to April. // Thanks to Mom. // In memory of Dad.”
lylelovett.com
Songwriters:
Lyle Lovett
Chuck Berry
Michael Franks
John Grimaudo
Frank Loesser
Martin Luther
Eddie Miller
James Pebworth
Eric Taylor
Traditional
Townes Van Zandt
Saylor White
Jesse Winchester
Robert Yount
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source/pic: my records
Various Artists: Lee w/ LL on Audio Compilations
Various Artists - Deadicated
Arista ARCD-8669 (1991) - US CD
1 - Bertha - Los Lobos
2 - Jack Straw - Bruce Hornsby & The Range
3 - U.S. Blues - The Harshed Mellows
4 - Ship Of Fools - Elvis Costello
5 - China Doll - Suzanne Vega
6 - Cassidy - Suzanne Vega
7 - Truckin’ - Dwight Yoakam
8 - Casey Jones - Warren Zevon with David Lindley
9 - Uncle John’s Band - Indigo Girls
10 - Friend Of The Devil* - Lyle Lovett
11 - To Lay Me Down - Cowboy Junkies
12 - Wharf Rat - Midnight Oil
13 - Estimated Prophet - Burning Spear
14 - Deal - Dr. John
15 - Ripple - Jane’s Addiction
Notes: 1) CD album is a Various Artists tribute to the Grateful Dead. Track content is comprising of cover versions specifically recorded for the occasion. 2) Above picture and following credits were taken from the EU single-CD album release on Arista 354 179. 3) According to web sources, CD album was released as a double vinyl LP only in the EU (alongside its single-CD album correlative). Track content is the same. 4) According to pictorial web sources, cover art of double-LP album differs slightly from its CD album counterpart. Illustration is same but it is cropped slightly tighter, with a few added details originally missing on the top. Title of album is moved from lower part of cover frame to upper. 5) According to web sources, track breakdown for the UK double vinyl LP is as follows: A1, A2, A3, A4, B5, B6, B7, B8, C9, C10, C11, C12, D13, D14, D15. 6) In this particular case I have highlighted all the musicians playing with Lee with the track number (10). 7) CD album includes editorial liner notes by A&R Roy Lott and executive producer Ralph Sall. Please refer to original CD booklet for these. 8) CD album comes with track-by-track liner notes by the artists involved in the project. Please refer to original CD booklet for these. 9) Proceeds from this CD originally went to the Rainforest Action Network. See bottom of post for a reproduction of the CD booklet’s RAN manifesto and ‘how can you help’ tips. However, please remember that in the meantime the organization’s address has changed, and so have the people in charge of the various governmental organizations mentioned in the excerpt. Current data for RAN contact are as follows. Address: 221 Pine Street, 5th Floor, San Francisco, CA 94104 USA - phone: 415 398 4404 - fax: 415 398 2732. E-mail: answers@ran.org. Read more: About RAN - Rainforest Action Network http://ran.org/content/about-ran#ixzz1a73Uu4dC. 10) You may get in touch with RAN at the above address and ask for contacts updates about the above-mentioned organizations.
The Artists:
Los Lobos: David Hidalgo, Cesar Rosas, Conrad Lozano, Steve Berlin, Louis Perez, Victor Bisetti (see individual credits below under ‘Players and Singers’)
Bruce Hornsby & The Range: Bruce Hornsby, John Molo, George Marinelli, Jr., Joe Puerta (see individual credits below under ‘Players and Singers’)
The Harshed Mellows: Dan Baird, Michelle Malone, Stan Lynch, Mauro Magellan, Mike Campbell, Benmont Tench, Brendan (Lucky Bud) O’Brien (see individual credits below under ‘Players and Singers’)
Elvis Costello & The Rude 5: Jim Keltner, Jerry Scheff, Larry Knechtel, James Burton, Marc Ribot, Elvis Costello (see individual credits below under ‘Players and Singers’)
Suzanne Vega - All Vocals
Dwight Yoakam - Lead Vocals
Warren Zevon - Lead Vocals, Grand Piano, Backing Vocals
David Lindley - Slide Guitar, Rhythm Guitar, Backing Vocals
Indigo Girls: Amy Ray, Emily Saliers (see individual credits below under ‘Players and Singers’)
Lyle Lovett - Lead Vocals (10), Acoustic Guitar (10)
Cowboy Junkies: Margo Timmins, Michael Timmins, Peter Timmins, Alan Anton, Jeff Bird, Kim Deschamps, Jaro Czerwinec (see individual credits below under ‘Players and Singers’)
Midnight Oil: Peter Garrett, Rob Hirst, Bones Hillman, Martin Rotsey, Jim Moginie (see individual credits below under ‘Players and Singers’)
Burning Spear (as Winston Rodney) - Lead Vocals
Dr. John - Lead Vocals, Piano
Jane’s Addiction: Perry Farrell, Dave Navarro, Stephen Perkins, Eric A (see individual credits below under ‘Players and Singers’)
The Players and Singers:
Conrad Lozano - 5-String Bass, Backing Vocals
Joe Puerta - Bass, Background Vocals
Brendan O’Brien - Bass (as Brendan (Lucky Bud) O’Brien)
Jerry Schiff - Electric Bass, Ampeg Baby Bass
Michael Visceglia - Martin Acoustic Bass Guitar, Bass Guitar
Taras Prodaniuk - Bass
Jorge Calderon - Bass, Backing Vocals
Randell Kirsch (as additional musician member of group Show Of Hands) - Acoustic Bass, Vocals, Percussion
Leland Sklar - Bass (10)*
Alan Anton - Bass
Bones Hillman - Bass, Backing Vocals
Paul Beckford - Bass
Wilbur Bascomb - Bass
Eric A - Bass
Louis Perez - Drums
John Molo - Drums
Stan Lynch - Drums, Gang Drums, Primitive Ritual Percussives (Tambourine), Percussion
Mauro Magellan - Gang Drums
Jim Keltner - Drums
Frank Villard - Drums, Bodhran, Additional Cymbals, Bongos
Jeff Donavan - Drums
Russell Kunkel - Drums (10)
Peter Timmins - Drums
Rob Hirst - Drums, Backing Vocals
Nelson Miller - Drums
Freddy Staehle - Drums
Stephen Perkins - Drums, Percussion
Cesar Rosas - Electric Guitar
George Marinelli, Jr. - Guitar, Background Vocals
Mike Campbell - Guitar Guy
James Burton - Electric Guitar
Marc Shulman - Acoustic Guitar, Tiple, Electric Guitar, Acoustic 12-String Guitar
Pete Anderson - Lead Guitar
Dean Parks - Electric Guitars (10), Acoustic Lead Guitar (10)
Michael Timmins - Guitar
Martin Rotsey - Guitar
Jim Moginie - Guitar, Keyboards, Backing Vocals
Joe Caro - Guitar
Dave Navarro - Electric Guitar, Acoustic Guitar
Kim Deschamps - Pedal Steel Guitar, Dobro
Steve Berlin - Organ, Percussion
John Thomas (as John “J.T.” Thomas - additional musician) - Keyboards
Benmont Tench - Pianner, Hammond B-3 Organ
Larry Knechtel - Piano
Anton Sanko - Pump Organ, Akai S-1000, Hammond B-3 Organ, Piano
Skip Edwards - Keyboards
Ian McLagan - Hammond B-3 Organ
Bill Payne - Piano (10)
Linval Jarrett - Piano, Guitar
Jay Noel - Keyboards
Peter Schott - Keyboards
Dave Robinson - Sax
Andrew Snitzer - Tenor Sax
Ronnie Cuber - Baritone Sax
James K. Smith - Trumpet
Lew Soloff - Trumpet
Charles Dickey - Trombone
Marc Ribot - Banjo - E Flat Horn
Jeff Bird - Harmonica, Mandolin
Jaro Czerwinec - Accordion
Victor Bisetti - Percussion
Jeff Scantlebury - Percussion
Dan McNamara (as additional musician) - Congas, Percussion
Barbara Marino (as additional musician) - Percussion
Alvin Hawton - Percussion
Rafael Cruz - Percussion
David Hidalgo - Lead Vocals, Acoustic Guitar, Accordion, 6-String Bass
Bruce Hornsby - Lead Vocals, Piano Synthesizer
Dan Baird - Throat, Guitar Guy
Michelle Malone - Throat
Elvis Costello - Lead Vocals, Acoustic Guitar
Amy Ray - Lead Vocals, Acoustic Rhythm Guitar
Emily Saliers - Lead Vocals, Acoustic Rhythm Guitar, Lead Guitar
Margo Timmins - Lead Vocals
Peter Garrett - Lead Vocals, Harmonica
Perry Farrell - Lead Vocals
LuAnn Kirsch (as additional musician member of group Show Of Hands) - Vocals
Chris Hickey (as additional musician member of group Show Of Hands) - Vocals
Tommy Funderburk - Background Vocals
Dian Sorel - Backing Vocals
Produced by Los Lobos (1)
Produced by Bruce Hornsby & The Range and Eddie King (2)
Produced by Ralph Sall (3, 5, 6, 8, 9, 13, 14)
Produced by D.P.A. MacManus and Kevin Killen (4)
Produced by Pete Anderson (7)
Produced by George Massenburg, Lyle Lovett and Billy Williams (10)
Produced by Michael Timmins (11)
Produced by Ralph Sall and Midnight Oil (12)
Produced by Ralph Sall and Perry Farrell (15)
Executive Producer: Ralph Sall for Bulletproof Productions
Pete Anderson - Arrangement (7)
Ralph Sall - Arrangement (13), Programming (12, 13)
Dr. John - Arrangement (14)
Ronnie Cuber - Horn Arrangement (14)
Dusty Wakeman - Programming (7)
Dusty Wakeman - Engineer (1, 7)
Eddie King - Engineer (2)
Peter Doell - Engineer (3, 8), Additional Engineering (1), Additional Engineer (7)
Leslie Ann Jones (also as Leslie Jones) - Engineer (3), Additional Engineer (7)
Ray Blair - Engineer (3), Mix Engineer (1)
Kevin Killen - Engineer (4)
Steve Lyons - Recording Engineer (5, 6)
Clif Norrell - Recording Engineer (9)
George Massenburg - Recording Engineer (10), Mixing Engineer (10)
Bob Doidge - Engineer (11), Mixing (11)
Thom Cadley - Engineer (12)
Michael Sauvage - Engineer (13), Mixing (13)
Junior Edwards - Engineer (13)
S. Morris - Engineer (13)
C. Gopie - Engineer (13)
Tim Leitner - Engineer (14)
Joe Gibb - Recording Engineer (15)
Ralph Sall - Mixing (1, 3, 8, 9, 13, 14, 15)
Steve Addabbo - Mixing (5, 6)
Anton Sanko - Mixing (5, 6)
David Leonard - Mixing (7)
Brian Foxworthy - Mix Engineer (9, 15)
Cowboy Junkies - Mixing (11)
Perry Farrell - Mixing (15)
Nick Addison - Assistant (5, 6)
Noel Hazen - Assistant (9)
Bret Swain - Assistant (10)
Nathaniel Kunkel (as Nathanial Kunkel) - Assistant (10)
Lee Anthony - Assistant (12)
Michael Scalcione - Assistant Engineer (NY) (13)
Patrick Dillette - Assistant (14)
Recording Studios:
Capitol Studios, Los Angeles (1, 3, 7, 8)
Kingsound Studios, Los Angeles (2)
Blue Wave Studios, Barbados (4)
The Church Studios, North London (5, 6)
Oceanway Studios, Los Angeles (9)
Conway Studios, Los Angeles (10)
Grant Avenue Studio, Hamilton, Ontario, Canada (11)
The Hit Factory, New York (12)
Dynamic Sounds, Kingston, Jamaica (13)
The Mixing Lab, Kingston, Jamaica (13)
Sigma Sound, New York (additional recording on track 13)
Skyline Studios, New York (14)
Konk Studios, North London (15)
Mixing Studios:
Capitol Studios, Los Angeles (1, 3, 7)
Sunset Sound Recorders, Los Angeles (2)
Eden Studios, London (4)
Shelter Island Studio, New York (5, 6)
Oceanway Studios, Los Angeles (9)
Conway Studios, Los Angeles (10)
Sigma Sound, New York (13)
Cherokee Studios, Los Angeles (15)
Ralph Sall - Concept
Roy Lott - A&R
Barbara Hein for Entertainment Mgmt. Inc. - Production Assistant (7)
Ross Garfield of Drum Doctor - Custom Drums and Tuning (7)
Ann Petter - Booklet Design
Mikio / William Giese - Illustration
W. Cody / West light - Tree Bark Photo
David Blank - Photo
Greg Gorman - Photo
Lester Cohen - Photos
Terry Allen - Photo
Terry O’Neill - Photo
Victoria Pearson-Cameron - Photo
Michael Lavine - Photo
Jeff Katz - Photo
Chris Buck/Impact Visuals - Photo
Dennis Keeley - Photo
Deborah Feingold - Photo
William Coupon - Photo
Kevin Westenberg - Photo
Jay Blakesberg - Photo
Bart Nagel - Photo
Barry Plummer - Crowd Photo
“We would like to especially thank: // The Grateful Dead past and present for providing the music and the opportunity: Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, Ron “Pigpen” Mckernan, Keith and Donna Godchaux, Brent Mydland, Vince Welnick; Robert Hunter and John Barlow for the words // Dennis Mcnally for his help, patience, being there in the crunch (and title counseling) // Cameron Sears and the Grateful Dead family, crew and office // Annette Flowers and Ice Nine Publishing // Clive Davis, Michael Pollack, Phil Wild, Ken Levy, Mitchell Cohen, Marty Diamond, Bart Weiss, Frank McDonough, Amy Finkle, Russell Sicklick, and everyone else at Arista who has contributed to the record… // And all of the artists, musicians, producers, engineers, studios, and their record companies and managers for their contributions and spirit: // Los Lobos, Rick bates, Slash Records, Mark Trilling, London Records, William Booth, Alan Mintz // Bruce Hornsby & The Range, Tim Neece, Sharona Sabbag, RCA Records, Beth Schillinger // Dan Baird, Stan Lynch, Mike Campbell, Ben Tench, Mauro Magellan, Bud O’Brien, Michelle Malone, Mary Klauzer, Tony paris, Elektra Entertainment, Gary Casson, Donna Goldstein // Elvis Costello, Jake Riviera, Riviera Global Record Productions Limited, Marvin Katz, Paul M. Robinson // Suzanne Vega and the band, Ron Fierstein and AGF, A&M Records, Ken Powell // Dwight Yoakam, Gary Borman, Gary Stiffelman, Pete Anderson, Reprise Records // Warren Zevon, David Lindley, Jorge Calderon, Ian McLagan, Andy Slater, Giant records, Carol Fenelon // Indigo Girls, Russell Carter, Liza Markowitz, Epic Records, Joanne Feltman // Lyle Lovett, Will Botwin, Ken Levitan, George Massenburg, Paula Sartorious, Curb/MCA Records, Tracy Moore // Cowboy Junkies, Peter Leak, Rachel McBeth, BMG Music Canada, Alan Kress // Midnight Oil, Gary Morris and the Office, Mason Munoz, Mitch Rose, Willie MacInnes, Sony Music Australia // Burning Spear, Eric Greenspan, Island Records, Rick Dutka, Eric Levine, Hooman Majd // Mac Rebenneck, BB, Mike Pantaleoni // Jane’s Addiction, Tom Atencio, Ted Gardner, Sheryl Simmons, Steve Baker // Rick Streicker and Warner Bros. Records // Ralph wishes to especially thank: // Freddy Sall who brought the first Grateful Dead album into the house, played them incessantly, espoused their many virtues until I finally heard the Music. While I was toiling on another various artists project, he was talking fervently about the Dead and that the Dead’s music was something I should look to. The idea percolated and here it is… // Friends in right places (opinions, phone numbers and lodging): Cindy Gray, Peter Mensch and Melissa Meyer, Lance Tendler, Jim Sall // Thanks also to Gary Gilbert, Eric Greenspan, Jon Blaufarb, Henry Kaiser, Michael Lippman, Rob Kahane, Kim Adelman”.
Tracks 5, 6:
“Special thanks from Suzanne to Diane Ponzio and the Martin Guitar Company”.
“ “The artists participating in this project and their record companies, the writers and Ice Nine Publishing, the Grateful Dead®, Arista Records and BMG Distribution are donating a portion of the proceeds from the sale of this record to the Rainforest Action Network and Cultural Survival.” ”.
“The entire packaging of this product has been printed on 100% recycled and recyclable paper.”.
Songwriters:
John Barlow
John Dawson
Jerry Garcia
Robert Hunter
Phil Lesh
Bob Weir
“Deadicated” - EU CD - Rainforest Action Network notes - part 1
“Deadicated” - EU CD - Rainforest Action Network notes - part 2
“Deadicated” - EU CD - Rainforest Action Network notes - part 3
“Deadicated” - EU CD - Rainforest Action Network notes - part 4
●
source/pics: my records
US CD catalog # & UK disc one/two breakdown: the web
Various Artists - Listen To Me: Buddy Holly
Verve Forecast B0016050-02 (2011) - US CD
1 - Not Fade Away* - Stevie Nicks
2 - Maybe Baby - Pat Monahan of Train
3 - Listen To Me - Brian Wilson
4 - I’m Lookin’ For Someone To Love - Imelda May
5 - True Love Ways* - Jackson Browne
6 - Peggy Sue - Cobra Starship
7 - Take Your Time - The Fray
8 - Think It Over - Ringo Starr
9 - Crying Waiting Hoping - Chris Isaak
10 - That’ll Be The Day - Linda Ronstadt (1976)
11 - Words Of Love - Jeff Lynne
12 - Well All Right* - Lyle Lovett
13 - Learning The Game - Natalie Merchant
14 - Everyday - Patrick Stump
15 - It’s So Easy - Zooey Deschanel
16 - Raining In My Heart - Eric Idle
You can read the in-depth credits to “Listen To Me: Buddy Holly” → here.
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source/pic: my records
Singles
“Private Conversation” - EU 3-track CD single - disc screen print
“Private Conversation” - EU 3-track CD single - front inlay
Lyle Lovett
Private Conversation/The Road To Ensenada/It Ought To be Easier
Curb/Edel 0078295CUR (1996) - Germany 3-track CD maxi single
1 - Private Conversation* - (Radio Edit) 3:50
2 - The Road To Ensenada* - 4:11
3 - It Ought To Be Easier* - 4:11
Notes: 1) This is an EU release of the single “Private Conversation” originally included on the Lyle Lovett album “The Road To Ensenada” (see entry above). 2) Track 1 is a radio edit version of the same album track clocking in at 3:50 as opposed to the album version, which is 4:32. Radio edit cuts out: a) one “hey hey” repetition right before the last “and his hand it fell behind her” verse; b) the last “no one heard her say, it was a private conversation…” repetition before ending. Also, radio edit ends abruptly with a sudden cut/reverb after only one “hey hey” repetition on the coda, while original version starts fading out after second repetition and fades out completely after third and a half. 3) Tracks 2 and 3 are same versions as on CD album. 4) CD single comes with no musician credits. Please refer to CD album credits for complete musicians listing.
Lyle Lovett - Vocals
Leland Sklar - Bass (1, 2, 3)*
Produced by Lyle Lovett and Billy Williams
“Taken from the album “The Road To Ensenada” CD: 0078232CUR”.
Songwriter:
Lyle Lovett
“Private Conversation” - EU 3-track CD single - inner inlay fold
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source/pics: my records
Lyle Lovett - Scrapbook
